In his work, Milan Grygar (*1926) has continuously focused on the relationship between image, sound and space. There, his concept is thoroughly original and indeed, unique in the context of contemporary art. Rather than relating to the domestic art scene, it brings his idiom close to the current trends prevailing in European and American art.
The current retrospective shows Grygar’s output on a time-scale ranging from the mid-1960s, when he fi rst linked the realization of an art work with spatial attributes of sound, to the present stage, during which his individual way of combining visual and acoustic aspects of art work has been acquiring new dimensions.
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| Hommage to cubism, 1970 |
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| Acoustic drawing 12 |
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| Ground-plan score for a chorus and small Ariston, 1968 |
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| Black Score for Three Aristons and One Samll Ariston |
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| Přidat popisek |
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| Drawing with a stick, 1966 |
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| Green Antiphony, 2003 |
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| Spatial Score, 1983 |
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| Spatial Score, 1983 |
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| Linear score, 1982 |
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| Red Antiphony, 2005 |
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| Bird Score, 2008 |
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| Linear Score, 1980 |
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| Antiphony, 2000 |
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